This album, spanning 1941-1951, offers a new insight into Parker's evolution from a promising young saxophonist to the revolutionary artist who redefined jazz.

Announced on August 29th, what would have been Parker's 104th birthday, this release is an important addition to the jazz canon. It includes two unreleased 78s with the Jay McShann band, private recordings from the home of Parker's friend Phil Baxter, and studio sessions at Vic Damon's studio.

The first track, "Cherokee," is available now. Chuck Haddix, Parker biographer and producer of this album, notes that "Cherokee" was one of Bird's favorites, often used for grand entrances when he arrived late to gigs.

The collection's significance lies in its connection to Kansas City. Though Parker left his hometown in 1941 and never returned permanently, these recordings capture his visits home. They reveal a relaxed Parker, exploring musically with local musicians and foreshadowing the revolutionary jazz to come.

The tracklist features Parker originals like "Bird Song #1," #2, and #3, alongside standards such as "Body and Soul" and "Honeysuckle Rose." The personnel varies, with some tracks featuring unknown musicians and others including names like Efferge Ware on guitar.

Bird in Kansas City offers listeners the opportunity to hear the genesis of bebop in its earliest, rawest form, directly from its primary architect.