Tomeka Reid's Low End Theory
The cellist reflects on twelve years with her quartet, the making of their fourth album, 'dance! skip! hop!', a family archive of Black life in Wyoming, and the two figures named CeCe who bookend her path in jazz.
The cellist reflects on twelve years with her quartet, the making of their fourth album, 'dance! skip! hop!', a family archive of Black life in Wyoming, and the two figures named CeCe who bookend her path in jazz.
Longtime friends and Chicago scene veterans, Whitney Johnson, Lia Kohl, and Macie Stewart have turned 'BODY SOUND' into a record of real-time improvisation, physical tape manipulation, and an unexpected kinship with Yoko Ono's 'Grapefruit'.
Ratboys frontwoman Julia Steiner discusses how 'Singin' to an Empty Chair' grew from a grief practice into a collection of bright, aching songs that never settle for just one feeling at a time.
The cellist and composer discusses her album 'Various Small Whistles and a Song,' a collection of field recordings that transform voting lines, train stations, and strangers' whistles into intimate sonic portraits of daily life.
On their second album 'Won't Believe In Dust', the instrumental trio moves beyond the vintage country songbook that sparked their formation, embracing everything from calypso bounce to free-flowing post-bop while sharing a belief that laughter belongs in the creative process.
With 'Off the Record', McCraven transforms fully improvised concerts from underground Chicago venues and New York jazz clubs into a four-EP meditation on what it means to share space, take risks, and participate in the unrepeatable.
Ten years after 'The New Breed' merged his love of J Dilla with his background in jazz composition, the Tortoise guitarist discusses mentorship, the practical realities of a music career, and why he makes the records he wants to hear.
The composer behind Chicago's Lynyn project reflects on 'Ixona', absorbing UK electronic music, his collaboration with visual artist Owen Blodgett, and the mature process of whittling down excess.
McLuhan's Paul Cohn reflects on creating one of the early seventies' strangest records, the band's improbable reunion after fifty years, and how a philosophical foundation—"the medium is the message"—allowed them to break every musical rule in the book.
From backing the Flying Luttenbachers to channeling Philip K. Dick's mysticism, Werber opens up about the visionary experience that shaped his solo debut 'Krater' and his collaboration with Sunn O)))'s Daniel O'Sullivan.
The Mexican-born, Chicago-based drummer discusses his album 'The Crisis Knows No Borders,' his philosophy on small daily sacrifices, and why convenience keeps getting in the way of saving the world.
'Standard Deviation' documents how three musicians learned to arrange around drones, interpret Carla Bley through hardcore tempos, and find lightness in their own gravity.